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Alceste Molière

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« Antwort #60 am: 12 Oktober 2013, 19:38:04 »

Hast Du Eins, welches Dir besonders gefällt?

NACH DER LESE

Komm in den totgesagten park und schau:
Der schimmer ferner lächelnder gestade
Der reinen wolken unverhofftes blau
Erhellt die weiher und die bunten pfade
Dort nimm das tiefe gelb das weiche grau
Von birken und von buchs der wind ist lau
Die späten rosen welkten noch nicht ganz
Erlese küsse sie und flicht den kranz
Vergiss auch diese letzen astern nicht
Den purpur um die ranken wilder reben
Und auch was übrig blieb von grünem leben
Verwinde leicht im herbstlichen gesicht.
Ihr rufe junger jahre die befahlen
Nach IHR zu suchen unter diesen zweigen
Ich muss vor euch die stirn verneinend neigen
Denn meine liebe schläft im land der strahlen
    
(George, Stefan: Das Jahr der Seele. Berlin, 1897)
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Alceste Molière

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« Antwort #61 am: 13 Oktober 2013, 21:20:25 »

Das mag ich am liebsten. :)

Hab mal mit 18 einen ganzen gedichtband von ihm abgeschrieben, handschriftlich, vom buch eines freundes  :o
:D Die Nadel im Heuhaufen...

Oje, ja damals war's nix mit husch-husch copy & paste.

"Wer je die Flamme umschritt" ist auch klasse! Gefällt mir.  :)
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RaoulDuke

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« Antwort #62 am: 03 Dezember 2013, 23:00:30 »

Ich ließ meinen Engel lange nicht los,
und er verarmte mir in den Armen
und wurde klein, und ich wurde groß:
und auf einmal war ich das Erbarmen,
und er eine zitternde Bitte bloß.

Da hab ich ihm seine Himmel gegeben, -
und er ließ mir das Nahe, daraus er entschwand;
er lernte das Schweben, ich lernte das Leben,
und wir haben langsam einander erkannt...

---

Hat auch mein Engel keine Pflicht mehr,
seit ihn mein strenger Tag vertrieb,
oft senkt er sehnend sein Gesicht her
und hat die Himmel nicht mehr lieb.

Er möchte wieder aus armen Tagen
über Wälder rauschendem Ragen
meine blassen Gebete tragen
in die Heimat der Cherubim.

Dorthin trug er mein frühes Weinen
und Bedanken, und meine kleinen
Leiden wuchsen dorten zu Hainen,
welche flüstern über ihm...

---

Seine Hände blieben wie blinde
Vögel, die, um Sonne betrogen,
wenn die andern über die Wogen
zu den währenden Lenzen zogen,
in der leeren, entlaubten Linde
wehren müssen dem Winterwinde.

Auf seinen Wangen war die Scham
der Bräute, die über der Seele Schrecken
dunkle Purpurdecken
breiten dem Bräutigam.

Und in den Augen lag
Glanz von dem ersten Tag, -
aber weit über allem war
ragend das tragende Flügelpaar...

Rainer Maria Rilke (1909) - aus den "Engelliedern"
« Letzte Änderung: 03 Dezember 2013, 23:10:58 von RaoulDuke »
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Jack_N

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« Antwort #63 am: 13 Februar 2014, 15:28:57 »

Multi - ein himmlischer Spion? ;)
Und ja, das Gedicht ist schön :)
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RaoulDuke

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« Antwort #64 am: 13 Februar 2014, 18:40:30 »

Ich habe zwei Lieder ausgelassen, die eigentlich mittenrein gehörten... Da das tatsächlich jemandem gefällt gibt es in Kürze das Update auf "vollständig"...
« Letzte Änderung: 13 Februar 2014, 22:00:40 von RaoulDuke »
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RaoulDuke

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« Antwort #65 am: 21 April 2014, 21:41:59 »

Ich bin ja nicht sicher, ob Prosa nun in "Erdichtetes" gehört, aber eine der beeindruckensten Kurzgeschichten die ich jemals las kreuzte gerade meinen Weg, und da ihr Text mittlerweile frei verfügbar ist, sei sie hier gepostet...

---

H.P. Lovecraft - The Outsider (1921)

Unhappy is he to whom the memories of childhood bring only fear and sadness. Wretched is he who looks back upon lone hours in vast and dismal chambers with brown hangings and maddening rows of antique books, or upon awed watches in twilight groves of grotesque, gigantic, and vine-encumbered trees that silently wave twisted branches far aloft. Such a lot the gods gave to me—to me, the dazed, the disappointed; the barren, the broken. And yet I am strangely content and cling desperately to those sere memories, when my mind momentarily threatens to reach beyond to the other.

I know not where I was born, save that the castle was infinitely old and infinitely horrible, full of dark passages and having high ceilings where the eye could find only cobwebs and shadows. The stones in the crumbling corridors seemed always hideously damp, and there was an accursed smell everywhere, as of the piled-up corpses of dead generations. It was never light, so that I used sometimes to light candles and gaze steadily at them for relief, nor was there any sun outdoors, since the terrible trees grew high above the topmost accessible tower. There was one black tower which reached above the trees into the unknown outer sky, but that was partly ruined and could not be ascended save by a well-nigh impossible climb up the sheer wall, stone by stone.

I must have lived years in this place, but I cannot measure the time. Beings must have cared for my needs, yet I cannot recall any person except myself, or anything alive but the noiseless rats and bats and spiders. I think that whoever nursed me must have been shockingly aged, since my first conception of a living person was that of somebody mockingly like myself, yet distorted, shrivelled, and decaying like the castle. To me there was nothing grotesque in the bones and skeletons that strewed some of the stone crypts deep down among the foundations. I fantastically associated these things with everyday events, and thought them more natural than the coloured pictures of living beings which I found in many of the mouldy books. From such books I learned all that I know. No teacher urged or guided me, and I do not recall hearing any human voice in all those years—not even my own; for although I had read of speech, I had never thought to try to speak aloud. My aspect was a matter equally unthought of, for there were no mirrors in the castle, and I merely regarded myself by instinct as akin to the youthful figures I saw drawn and painted in the books. I felt conscious of youth because I remembered so little.

Outside, across the putrid moat and under the dark mute trees, I would often lie and dream for hours about what I read in the books; and would longingly picture myself amidst gay crowds in the sunny world beyond the endless forests. Once I tried to escape from the forest, but as I went farther from the castle the shade grew denser and the air more filled with brooding fear; so that I ran frantically back lest I lose my way in a labyrinth of nighted silence.

So through endless twilights I dreamed and waited, though I knew not what I waited for. Then in the shadowy solitude my longing for light grew so frantic that I could rest no more, and I lifted entreating hands to the single black ruined tower that reached above the forest into the unknown outer sky. And at last I resolved to scale that tower, fall though I might; since it were better to glimpse the sky and perish, than to live without ever beholding day.

In the dank twilight I climbed the worn and aged stone stairs till I reached the level where they ceased, and thereafter clung perilously to small footholds leading upward. Ghastly and terrible was that dead, stairless cylinder of rock; black, ruined, and deserted, and sinister with startled bats whose wings made no noise. But more ghastly and terrible still was the slowness of my progress; for climb as I might, the darkness overhead grew no thinner, and a new chill as of haunted and venerable mould assailed me. I shivered as I wondered why I did not reach the light, and would have looked down had I dared. I fancied that night had come suddenly upon me, and vainly groped with one free hand for a window embrasure, that I might peer out and above, and try to judge the height I had once attained.

All at once, after an infinity of awesome, sightless, crawling up that concave and desperate precipice, I felt my head touch a solid thing, and I knew I must have gained the roof, or at least some kind of floor. In the darkness I raised my free hand and tested the barrier, finding it stone and immovable. Then came a deadly circuit of the tower, clinging to whatever holds the slimy wall could give; till finally my testing hand found the barrier yielding, and I turned upward again, pushing the slab or door with my head as I used both hands in my fearful ascent. There was no light revealed above, and as my hands went higher I knew that my climb was for the nonce ended; since the slab was the trapdoor of an aperture leading to a level stone surface of greater circumference than the lower tower, no doubt the floor of some lofty and capacious observation chamber. I crawled through carefully, and tried to prevent the heavy slab from falling back into place, but failed in the latter attempt. As I lay exhausted on the stone floor I heard the eerie echoes of its fall, hoped when necessary to pry it up again.

Believing I was now at prodigious height, far above the accursed branches of the wood, I dragged myself up from the floor and fumbled about for windows, that I might look for the first time upon the sky, and the moon and stars of which I had read. But on every hand I was disappointed; since all that I found were vast shelves of marble, bearing odious oblong boxes of disturbing size. More and more I reflected, and wondered what hoary secrets might abide in this high apartment so many aeons cut off from the castle below. Then unexpectedly my hands came upon a doorway, where hung a portal of stone, rough with strange chiselling. Trying it, I found it locked; but with a supreme burst of strength I overcame all obstacles and dragged it open inward. As I did so there came to me the purest ecstasy I have ever known; for shining tranquilly through an ornate grating of iron, and down a short stone passageway of steps that ascended from the newly found doorway, was the radiant full moon, which I had never before seen save in dreams and in vague visions I dared not call memories.

Fancying now that I had attained the very pinnacle of the castle, I commenced to rush up the few steps beyond the door; but the sudden veiling of the moon by a cloud caused me to stumble, and I felt my way more slowly in the dark. It was still very dark when I reached the grating—which I tried carefully and found unlocked, but which I did not open for fear of falling from the amazing height to which I had climbed. Then the moon came out.

Most demoniacal of all shocks is that of the abysmally unexpected and grotesquely unbelievable. Nothing I had before undergone could compare in terror with what I now saw; with the bizarre marvels that sight implied. The sight itself was as simple as it was stupefying, for it was merely this: instead of a dizzying prospect of treetops seen from a lofty eminence, there stretched around me on the level through the grating nothing less than the solid ground, decked and diversified by marble slabs and columns, and overshadowed by an ancient stone church, whose ruined spire gleamed spectrally in the moonlight.

Half unconscious, I opened the grating and staggered out upon the white gravel path that stretched away in two directions. My mind, stunned and chaotic as it was, still held the frantic craving for light; and not even the fantastic wonder which had happened could stay my course. I neither knew nor cared whether my experience was insanity, dreaming, or magic; but was determined to gaze on brilliance and gaiety at any cost. I knew not who I was or what I was, or what my surroundings might be; though as I continued to stumble along I became conscious of a kind of fearsome latent memory that made my progress not wholly fortuitous. I passed under an arch out of that region of slabs and columns, and wandered through the open country; sometimes following the visible road, but sometimes leaving it curiously to tread across meadows where only occasional ruins bespoke the ancient presence of a forgotten road. Once I swam across a swift river where crumbling, mossy masonry told of a bridge long vanished.

Over two hours must have passed before I reached what seemed to be my goal, a venerable ivied castle in a thickly wooded park, maddeningly familiar, yet full of perplexing strangeness to me. I saw that the moat was filled in, and that some of the well-known towers were demolished, whilst new wings existed to confuse the beholder. But what I observed with chief interest and delight were the open windows—gorgeously ablaze with light and sending forth sound of the gayest revelry. Advancing to one of these I looked in and saw an oddly dressed company indeed; making merry, and speaking brightly to one another. I had never, seemingly, heard human speech before and could guess only vaguely what was said. Some of the faces seemed to hold expressions that brought up incredibly remote recollections, others were utterly alien.

I now stepped through the low window into the brilliantly lighted room, stepping as I did so from my single bright moment of hope to my blackest convulsion of despair and realization. The nightmare was quick to come, for as I entered, there occurred immediately one of the most terrifying demonstrations I had ever conceived. Scarcely had I crossed the sill when there descended upon the whole company a sudden and unheralded fear of hideous intensity, distorting every face and evoking the most horrible screams from nearly every throat. Flight was universal, and in the clamour and panic several fell in a swoon and were dragged away by their madly fleeing companions. Many covered their eyes with their hands, and plunged blindly and awkwardly in their race to escape, overturning furniture and stumbling against the walls before they managed to reach one of the many doors.

The cries were shocking; and as I stood in the brilliant apartment alone and dazed, listening to their vanishing echoes, I trembled at the thought of what might be lurking near me unseen. At a casual inspection the room seemed deserted, but when I moved towards one of the alcoves I thought I detected a presence there—a hint of motion beyond the golden-arched doorway leading to another and somewhat similar room. As I approached the arch I began to perceive the presence more clearly; and then, with the first and last sound I ever uttered—a ghastly ululation that revolted me almost as poignantly as its noxious cause—I beheld in full, frightful vividness the inconceivable, indescribable, and unmentionable monstrosity which had by its simple appearance changed a merry company to a herd of delirious fugitives.

I cannot even hint what it was like, for it was a compound of all that is unclean, uncanny, unwelcome, abnormal, and detestable. It was the ghoulish shade of decay, antiquity, and dissolution; the putrid, dripping eidolon of unwholesome revelation, the awful baring of that which the merciful earth should always hide. God knows it was not of this world—or no longer of this world—yet to my horror I saw in its eaten-away and bone-revealing outlines a leering, abhorrent travesty on the human shape; and in its mouldy, disintegrating apparel an unspeakable quality that chilled me even more.

I was almost paralysed, but not too much so to make a feeble effort towards flight; a backward stumble which failed to break the spell in which the nameless, voiceless monster held me. My eyes bewitched by the glassy orbs which stared loathsomely into them, refused to close; though they were mercifully blurred, and showed the terrible object but indistinctly after the first shock. I tried to raise my hand to shut out the sight, yet so stunned were my nerves that my arm could not fully obey my will. The attempt, however, was enough to disturb my balance; so that I had to stagger forward several steps to avoid falling. As I did so I became suddenly and agonizingly aware of the nearness of the carrion thing, whose hideous hollow breathing I half fancied I could hear. Nearly mad, I found myself yet able to throw out a hand to ward off the foetid apparition which pressed so close; when in one cataclysmic second of cosmic nightmarishness and hellish accident my fingers touched the rotting outstretched paw of the monster beneath the golden arch.

I did not shriek, but all the fiendish ghouls that ride the nightwind shrieked for me as in that same second there crashed down upon my mind a single fleeting avalanche of soul-annihilating memory. I knew in that second all that had been; I remembered beyond the frightful castle and the trees, and recognized the altered edifice in which I now stood; I recognized, most terrible of all, the unholy abomination that stood leering before me as I withdrew my sullied fingers from its own.

But in the cosmos there is balm as well as bitterness, and that balm is nepenthe. In the supreme horror of that second I forgot what had horrified me, and the burst of black memory vanished in a chaos of echoing images. In a dream I fled from that haunted and accursed pile, and ran swiftly and silently in the moonlight. When I returned to the churchyard place of marble and went down the steps I found the stone trap-door immovable; but I was not sorry, for I had hated the antique castle and the trees. Now I ride with the mocking and friendly ghouls on the night-wind, and play by day amongst the catacombs of Nephren-Ka in the sealed and unknown valley of Hadoth by the Nile. I know that light is not for me, save that of the moon over the rock tombs of Neb, nor any gaiety save the unnamed feasts of Nitokris beneath the Great Pyramid; yet in my new wildness and freedom I almost welcome the bitterness of alienage.

For although nepenthe has calmed me, I know always that I am an outsider; a stranger in this century and among those who are still men. This I have known ever since I stretched out my fingers to the abomination within that great gilded frame; stretched out my fingers and touched a cold and unyielding surface of polished glass.
« Letzte Änderung: 21 April 2014, 21:58:36 von RaoulDuke »
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Kalkuel

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« Antwort #66 am: 22 April 2014, 00:45:12 »

'The Outsider' hatte Ich länger in Erinnerung :D Aber stimmt schon, dass ist ein wirklich gut gelungenes Stück Gothic Horror, auf einer Ebene mit den ganz Großen. Sehr klassisch für Lovecraft, nicht so abgespacet wie die Cthulhu Geschichten (Und außerdem endet Sie nicht so antiklimatisch, wer 'The Call of Cthulhu' gelesen hat, weiß was Ich meine)
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RaoulDuke

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« Antwort #67 am: 29 Juli 2014, 15:54:00 »

Alone

From childhood's hour I have not been
As others were; I have not seen
As others saw; I could not bring
My passions from a common spring.
From the same source I have not taken
My sorrow; I could not awaken
My heart to joy at the same tone;
And all I loved, I loved alone.
Then- in my childhood, in the dawn
Of a most stormy life- was drawn
From every depth of good and ill
The mystery which binds me still:
From the torrent, or the fountain,
From the red cliff of the mountain,
From the sun that round me rolled
In its autumn tint of gold,
From the lightning in the sky
As it passed me flying by,
From the thunder and the storm,
And the cloud that took the form
(When the rest of Heaven was blue)
Of a demon in my view.

Edgar Allan Poe (1829)
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RaoulDuke

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« Antwort #68 am: 30 Juli 2014, 08:20:48 »

Nemesis

Through the ghoul-guarded gateways of slumber,
Past the wan-mooned abysses of night,
I have lived o'er my lives without number,
I have sounded all things with my sight;
And I struggle and shriek ere the daybreak, being driven to madness with fright.

I have whirled with the earth at the dawning,
When the sky was a vaporous flame;
I have seen the dark universe yawning
Where the black planets roll without aim,
Where they roll in their horror unheeded, without knowledge or lustre or name.

I had drifted o'er seas without ending,
Under sinister grey-clouded skies,
That the many-forked lightning is rending,
That resound with hysterical cries;
With the moans of invisible daemons, that out of the green waters rise.

I have plunged like a deer through the arches
Of the hoary primoridal grove,
Where the oaks feel the presence that marches,
And stalks on where no spirit dares rove,
And I flee from a thing that surrounds me, and leers through dead branches above.

I have stumbled by cave-ridden mountains
That rise barren and bleak from the plain,
I have drunk of the fog-foetid fountains
That ooze down to the marsh and the main;
And in hot cursed tarns I have seen things, I care not to gaze on again.

I have scanned the vast ivy-clad palace,
I have trod its untenanted hall,
Where the moon rising up from the valleys
Shows the tapestried things on the wall;
Strange figures discordantly woven, that I cannot endure to recall.

I have peered from the casements in wonder
At the mouldering meadows around,
At the many-roofed village laid under
The curse of a grave-girdled ground;
And from rows of white urn-carven marble, I listen intently for sound.

I have haunted the tombs of the ages,
I have flown on the pinions of fear,
Where the smoke-belching Erebus rages;
Where the jokulls loom snow-clad and drear:
And in realms where the sun of the desert consumes what it never can cheer.

I was old when the pharaohs first mounted
The jewel-decked throne by the Nile;
I was old in those epochs uncounted
When I, and I only, was vile;
And Man, yet untainted and happy, dwelt in bliss on the far Arctic isle.

Oh, great was the sin of my spirit,
And great is the reach of its doom;
Not the pity of Heaven can cheer it,
Nor can respite be found in the tomb:
Down the infinite aeons come beating the wings of unmerciful gloom.

Through the ghoul-guarded gateways of slumber,
Past the wan-mooned abysses of night,
I have lived o'er my lives without number,
I have sounded all things with my sight;
And I struggle and shriek ere the daybreak, being driven to madness with fright.

H.P. Lovecraft (1917)
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RaoulDuke

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« Antwort #69 am: 14 August 2014, 22:12:48 »

Damaged Soul

Born in a graveyard adopted by sin
I cultivate evil that’s living within
A preacher tried saving my black damaged soul
Possessed by a demon that had full control

The time it is coming when all life will end
With doomsday approaching to hell we’ll descend
Religion won’t save me, the damage is done
The future has ended before it’s begun

Death’s hand and the crazy, I can’t stand the light of day
Watching all the victims on their knees as they pray
God of the almighty never answers their call
Satan is just waiting for the righteous to fall to him

I don’t mind dying cause I’m already dead
Pray not for the living I’ll live in your head
Dying is easy it’s living that’s hard
I’m losing the battle between Satan and God

Black Sabbath (2013)
« Letzte Änderung: 14 August 2014, 22:22:12 von RaoulDuke »
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Black Ronin

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« Antwort #70 am: 15 August 2014, 09:44:04 »

Boahhh! So viele Klischeebehaftete Wörter in EINEM Text!
Bietet jemand mehr?
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The grey rain-curtain of this world rolls back
and all turns to silver glas
and then you see it
white shores... and beyond, a far green country under a swift sunrise

RaoulDuke

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« Antwort #71 am: 15 August 2014, 14:30:15 »

Haha, das wird schwer.  8)
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käx

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« Antwort #72 am: 26 September 2014, 22:24:31 »

bevor mir knorkator die idee wegschnappt, mach ich es besser schnell selber:

die BALLADE von der REMOULADE :       



im stehen pinkelnd dacht’ ich grade
an remoulade!
ich sah hinunter an die wade
nanü? was is’n dade ?
ist das etwa remoulade ?

auf’m steak bestimmt zu schade
ungeignet für marmelade – und schokolade-
ist remoulade.

ist der braten lau und viel zu fade
hilft - auch auf’m chefsalade! -
remoulade!

der imbissbudenmann sagt am Freitag - voll freudenschade -
heute gibt es zu dem fisch - keine remoulade.

bei der mahlzeit kennt der henker
selten gnade
für mörder gibt’s zum abschied
keine remoulade

auch wenn ich im golde bade
zur königlichen mahlzeit
gehört die remoulade

und wenn der tallymann auch auf das schiff
gold und edelsteine lade
der prinz im fernen orient
erwartet remoulade!

ich lasse selten fünfe grade - außer bei remoulade

entäuscht aß ich am bahnhof rade ,ein brötchen mit gurke - aber ohne remoulade

stein_tafeln lagen einst so sagt man - auf der bundeslade,
in wahrheit fand indinana jones - später remoulade!

aus dem apfel lugte sie: die kleine freche made, an des tisches ende sah sie nämlich: ein topf voll remoulade

der pauli-fan stand schwer entäuscht auf der gegengrade, der sieg der ist doch gar nichts wert - ohne remoulade

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nach wie vor wichtig:

https://corona-ausschuss.de/

nightnurse

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« Antwort #73 am: 27 September 2014, 20:43:56 »

O.o klarer Fall von Morbus Bahlsen.
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Alceste Molière

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« Antwort #74 am: 08 Januar 2015, 16:31:33 »

Weniger gedichtet - eher eine (hier vorgelesene) Rede.
Passt aber, glaube ich, trotzdem hier irgendwie rein: Charlie Chaplin - Selbstliebe
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